Tuesday, 28. February 2006
Soundsville

Soundsville
SOUNDSVILLE is a classic Hammond Trio outfit that can go a LOT of places. The history of the Instrument spreads from it's Gospel roots over the greasy funky Jazz recordings of the 60's Blue Note era, psychedelic sounds all the way to Deep Purple. In Soundsville we explore all those incarnations of the Instrument. Italian Hammond organ virtuoso Alberto Marsico and drummer Gio Rossi worked for a lot of big names in the Blues and Jazz Scene: Kenny Burrell, Benny Golson, Larry Taylor & Jimmy Witherspoon, to name just a few. The duo is a seasoned rhythm section and the way they read each other's ideas is something to behold. They formed SOUNDSVILLE with guitarist Lars Kutschke after meeting in 2004. The trio has recorded two albums so far and did a fair share of touring throughout Europe.
As Joey De Francesco wrote: "Alberto Marsico is a fantastic jazz organist, but here You can hear him in another element, a rockish bluesy kind of stuff, which I love a lot, and I've never heard anybody do it better than Alberto."
Artist
Soundsville
Artist profile ↗More live music
You might also like these
Americana · Folk
Woodland Road
Voluntary contribution
Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.
Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.
We collect contributions during the break after the first set or after the concert.
jazz
FAQUELAGE
Voluntary contribution
Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.
Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.
We collect contributions during the break after the first set or after the concert.


