Saturday, 05. March 2022
25 Jahre Blue Note – Eine kleine Geburtstagsfeier

Trouble Ahead
Trouble Ahead play Rhythm’n’Blues. They are inspired by the 40s and 50s – Swing, West Coast Jump, Soul, Surf, the unpolished sounds of Chicago’s blues as well as music from almost everywhere in the world – partly contemporary, partly almost forgotten: first-class R’n’B and soul hits by LaVern Baker, Ruth Brown or Etta James, as well as electric post-war blues by Little Walter, B.B. King or T-Bone Walker. Their deep appreciation of these styles can be heard in a selection of interpretations of obscure songs from the past as well as their own material. They say good music moves either the heart or the butt – this band has both in the program. Dancing like dreaming desired.
What began as a duo in 2016 has now grown into a five-member band around singer Anja Tschenisch. With Bruno Laube at the harmonica and Christoph Hennebeil on the guitar, the band not only has two virtuosic instrumentalists, but also two other singers who underline the band’s versatility. Trouble Ahead have no need to pretend and stand by their orientation as an oldschool blues band without sounding puristic.
Artist
Trouble Ahead
Artist profile ↗Unterstützt durch
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Der Beauftragte der Bundesregierung für Kultur und Medien
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Initiative Musik
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Neumanns Eis
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Neustart Kultur
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Voluntary contribution
Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.
Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.
We collect contributions during the break after the first set or after the concert.
jazz
FAQUELAGE
Voluntary contribution
Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.
Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.
We collect contributions during the break after the first set or after the concert.


