Tuesday, 01. November 2022

Blue Notes at the Blue Note – Concert Series

Bild: Mirko Glaser www.roadsidepictures.net · Mirko GlaserBild: Mirko Glaser www.roadsidepictures.net · Mirko Glaser

Blue Notes beim Blue Note: Volume 2!
Niklas Lukassen feat.: Kiki Manders & Lorenz Kellhuber

In dieser neuen Konzertreihe lädt Niklas Lukassen in stets wechselnden Besetzungen herausragende Musiker*innen der Dresdner Szene, lehrende der Musikhochschule oder auch besondere Künstler*innen aus Berlin zu musikalischen Begegnungen ein.
Ob ausgefeilt arrangiert, frei Improvisiert, akustisch oder elektrisch instrumentiert, es wird immer anders, individuell und spannend!

On this evening, the elegant instrumentation of vocals, piano and bass, together with Kiki Manders and Lorenz Kellhuber, creates a symbiosis for spontaneous improvisation and intimate communication.

Lorenz Kellhuber:
Geboren als Sohn zweier Kirchenmusiker im Jahr 1990, begann Lorenz Kellhuber bereits im Alter von fünf Jahren sein klassisches Klavierstudium. Mit acht Jahren spielte er sein erstes Konzert und begann, seine eigenen Kompositionen zu schreiben. Mit elf Jahren wurde er Jungstudent am College of Catholic Church Music & Musical Education in Regensburg. Später erhielt er Unterricht bei Prof. Franz Massinger, ein Schüler von Arturo Benedetti Michelangeli, wurde vom Pianisten Rob Bargad (Nat Adderley Quintet) entdeckt, der ihn ausgiebig in die Jazzstilistik einführte. Im Alter von nur sechzehn Jahren bestand Lorenz eine Prüfung für den Hochbegabten und wurde Student am Berliner Jazz-Institut, wo Kurt Rosenwinkel, Hubert Nuss, Greg Cohen und John Hollenbeck zu seinen Lehrern gehörten. Während seiner häufigen New Yorker Besuche erhielt er auch Unterricht von Fred Hersch und Sophia Rosoff. Im Jahr 2010 war er einer der jüngsten Absolventen weltweit, um seinen Bachelor of Arts abzuschließen.

In the Summer of 2014, he became the first German musician to receive first place in the renowned Montreux Jazz Piano Solo Competition from Monty Alexander. In 2016, Lorenz was nominated for the ECHO Jazz as “Newcomer of the Year”, in 2018 he was among the ten “new key players” of the German music magazine “Jazz thing”. He has released a total of nine albums, an EP and several individual pieces since 2012, including “The Brooklyn Session” (2015), recorded with New York musicians Orlando Le Fleming on bass and Obed Calvaire on drums, the solo albums “Live at the Montreux Jazz Festival“ (2017), „Contemporary Chamber Music“ (2021), „Live at Elbphilharmonie Hamburg“ (2022) and the two trio records „Samadhi“ (2019) and „About:Blank“ (2020) with Felix Henkelhausen on bass and Moritz Baumgärtner on drums. His concerts took him through Europe, to the US and to South America.

Kiki Manders:
Manders wuchs in Venlo in den südlichen Niederlanden auf und absolvierte das Jazz-Singprogramm am Konservatorium von Amsterdam. Nach dem Abschluss zog Manders nach New York City, um Poesie und Improvisation zu studieren. Sie begann, Songs im Dialekt aus ihrer Heimatstadt Venlo zu schreiben, während sie in New York lebte, und nahm kürzlich eine Auswahl von ihnen auf, unter anderem Kompositionen, die auf ihrem Debütalbum "Love is yours is mine" (Unit Records) zu hören waren.

A finalist in the Voicingers International Singers Competition and a semi-finalist in the Brussels Young Jazz Singers Vocal Competition, Manders’ “irrepressible style” makes her an “in demand musician both as a bandleader and as a sideman.” She lent her voice to Amsterdam-based saxophonist Maarten Ornsteins’ avant-garde funkband DASH! and performed with this band throughout Europe, in the Music Theatre production “Spica”, multi-disciplinary theatre performance “Brilliant Limbs" and toured China with the band.

Manders performed and/or collaborated with The Metropole Orchestra, Jim Black, Maarten Ornstein, Oene van Geel, Vince Mendosa, Yuriy Yaremchuk, Jeffrey Bruinsma, Bodek Janke, Phil Donkin and others. She performed at world known venues and festivals such as The Bimhuis, Muziekgebouw aan het IJ, Paradiso, North Sea Jazz Festival, and the Concert Hall Amsterdam in the Netherlands, the Unterfahrt in Germany, the Sziget Festival in Hungary, the Brussels Jazz Club in Belgium, Jazzclub Jazz Dock in the Czech Republik, Jazz Club Dzyga in Ukraine, the Jazz Gallerie in Canada and at the Nanjijng Jazz Festival and the Chengdou Jazz Festival in China.

Niklas Lukassen:
Niklas Lukassen impresses with his painterly sense of instrumental lyrics on both the double bass and the bass guitar. Characteristic for his personal sound are his affinity for the unbundled bass guitar, as well as his pelectrum-played inserts on the double bass. An elementary part of his still young career lies in New York, where he completed his master's degree with a full scholarship at the Manhattan School of Music under his mentor Ron Carter. His collaborators included among others. Mike Stern, Jorge Rossy, Oz Noy, Richie Beirach and Joe Lovano. Home to several musical worlds, he also develops into an increasingly indispensable part of the jazz scene in Berlin, with a sound that also radiates an enormous potential as a bandleader. His life as a musician has already taken him on tours to China, Malaysia, the Arab world, the USA and large parts of Europe. These include iconic venues such as Lincoln Center, Beacon Theatre, John F. Kennedy Center, the Berlin Philharmonic and some of New York’s most historic jazz clubs.

With his forthcoming leader debut album Still Waters Run Deep, Niklas Lukassen listens deeply into himself with his quartet consisting of Ben van Gelder, Kit Downes and Francesco Ciniglio and reveals a multifaceted sound world. In this program he reflects on his personal journey of the last turbulent years between New York and Berlin. He addresses current topics of change in poetic form and thus deals with the pandemic, climate change and his own artistic metamorphosis.

Kiki Manders – Vocals
Lorenz Kellhuber – Piano
Niklas Lukassen Double Bass

Unterstützt durch

  • Der Beauftragte der Bundesregierung für Kultur und Medien
  • Initiative Musik
  • Neumanns Eis
  • Neustart Kultur

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Voluntary contribution

Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.

Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.

We collect contributions during the break after the first set or after the concert.

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FAQUELAGE

Voluntary contribution

Most of our concerts have no fixed admission price. Instead, we suggest a voluntary contribution of around €10 per person.

Our principle: if you have less, give less. If you can give more and want to support live music, you are welcome to be generous. This helps keep culture accessible to as many people as possible.

We collect contributions during the break after the first set or after the concert.

View concert ↗

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